ACE MEDIA / UPDATES

LATEST UPDATES.

LATEST UPDATES.

BEHIND THE SCENES AND BEYOND.

BEHIND THE SCENES AND BEYOND.

New work, useful ideas and a look behind the scenes. The planning, people and decisions that go into making a film.

New work, useful ideas and a look behind the scenes. The planning, people and decisions that go into making a film.

ACE MEDIA / UPDATES

LATEST UPDATES.

BEHIND THE SCENES AND BEYOND.

New work, useful ideas and a look behind the scenes. The planning, people and decisions that go into making a film.

Pre Production

Behind the Numbers: What Goes Into a Video Production Quote?

Behind the Numbers: What Goes Into a Video Production Quote?

A rate card gives you a useful starting point. A quote works out what your particular film needs. Here’s how filming days, routine preparation, dedicated planning and the edit fit together, so you can compare the work behind the numbers.

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Branding

AI Brand Videos: What Are You Asking Customers to Trust?

AI Brand Videos: What Are You Asking Customers to Trust?

Your people, your workplace and your products give customers reasons to trust your business. What happens when your brand film replaces them with AI-generated versions?

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Close-up of a video player showing an illuminated CC icon, Closed Captions label and playback controls.

Post Production

Read the Room: Why Video Captions Help People Keep Watching

Read the Room: Why Video Captions Help People Keep Watching

Your film might look great, but can someone follow it with the sound off? Here’s where captions help, what the research actually tells us, and how to choose a style that suits your video.

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Delegates beside a tall green digital agenda display in the conference hall at STATION Berlin.

Production

Beyond the Big Screen: Our Screen Content for PEI’s Global Summit

Beyond the Big Screen: Our Screen Content for PEI’s Global Summit

For PEI Group’s Infrastructure Investor Global Summit 2026 in Berlin, a whole set of screens needed to feel like one event. Here’s how Ace Media developed the content around what each display actually had to do.

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Two people in hard hats and high-visibility clothing at a construction site with a crane and an unfinished building.

Production

As Time Builds By: The Case for Construction Timelapse

As Time Builds By: The Case for Construction Timelapse

A finished building only shows the end of the job. Construction timelapse makes the work in between easier to follow, giving project teams a useful view of progress and leaving material they can use after handover.

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A group gathered around a large planning sheet and sticky notes on an office floor.

Pre Production

A Plan for Success: Getting Ready for the Shoot

A Plan for Success: Getting Ready for the Shoot

The awkward time to discover a film hasn’t got a clear idea is when the crew is already waiting to shoot it. Good pre-production gives the day a purpose and helps the budget cover what the project actually needs.

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A person playing a keyboard at a workstation with screens, speakers and audio equipment.

Post Production

These Go to Eleven: Why Good Audio Makes or Breaks Your Video

These Go to Eleven: Why Good Audio Makes or Breaks Your Video

If an interview sounds as though it was recorded inside a microwave, the lighting won’t get much credit. Clear dialogue, well-chosen music and a careful mix deserve attention while there’s still time to do something about them.

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A quadcopter drone flying against a blue sky beside tree branches.

Pre Production, Production

License to Fly: Using Drone Footage in Your Film

License to Fly: Using Drone Footage in Your Film

An aerial shot can explain a location before the film gets close to the people in it. Drone filming makes that perspective available to many productions, provided the flight is planned around the site and the shot has a purpose.

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An editor seated at a workstation with an interview on the monitor and audio equipment beside it.

Pre Production

Taking Stock: Choosing Stock Footage for Your Film

Taking Stock: Choosing Stock Footage for Your Film

You don’t need to send a crew abroad for every establishing shot. Stock footage can fill a useful gap in a corporate film, provided the material fits the story, matches the edit and is licensed for the planned use.

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A film crew working among trees, with camera and lighting equipment.

Pre Production

Finding Your Perfect Fit: How Big Does Your Film Crew Need to Be?

Finding Your Perfect Fit: How Big Does Your Film Crew Need to Be?

How many people does your shoot actually need? That depends on the shots, the schedule and which jobs need doing at the same time. Here's how to build a crew without leaving someone holding three jobs and a light stand.

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A person walking towards St Paul’s Cathedral between buildings in London.

Pre Production

London Calling: Choosing a Production Company in the Capital

London Calling: Choosing a Production Company in the Capital

London gives a production plenty to work with, from varied locations to experienced crew and studios. A company that knows the city can help you use those options well, while keeping an eye on the practical business of getting the film made.

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A group seated together, with a woman in a mustard-coloured top in the foreground.

Pre Production

Keeping People Watching: Making a Video Worth Their Time

Keeping People Watching: Making a Video Worth Their Time

Your audience is busy, and their thumb is already hovering. Give them a reason to stay with a clear opening, an edit that moves the story along and sound they can follow. Then check what they actually watched.

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A camera operator looking through a video camera held in front of their face.

Production, Post Production

Lights, Camera, Location: Choosing Where to Film

Lights, Camera, Location: Choosing Where to Film

A good filming location tells the viewer something before anyone speaks. It also needs to work when the crew arrives. Here's how to choose a setting that suits your brand, with enough thought given to noise, light and the shooting day.

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An animator working on a three-dimensional human character on a desktop monitor.

Production, Post Production

Make 'Em Look: Why Animation Still Turns Heads

Make 'Em Look: Why Animation Still Turns Heads

Some ideas are awkward to film. Animation lets you show a process, explain an unfamiliar service or put a product's inner workings on screen. The trick is deciding what the movement needs to explain before you get carried away making everything move.

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A silhouetted crew member gesturing beside a studio camera rig and monitors.

Production

Videographer Fees Explained: How to Budget for Your Video Project

Videographer Fees Explained: How to Budget for Your Video Project

A video quote covers more than the day someone turns up with a camera. Here’s how to budget for the shoot, the edit and the less obvious bits, so you know what you’re buying before anyone presses record.

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A collection of analogue and digital clocks arranged on a white stand against a grey wall.

Branding, Production

Making Time Part of the Story: A Guide to Timelapse

Making Time Part of the Story: A Guide to Timelapse

Some things move too slowly to make their point on camera. Timelapse lets you show the change: a room filling, an event taking shape or a building going up. The trick is knowing what to capture, and when to stop.

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Shelves filled with colourful branded tins and vintage product packaging.

Branding

Standing Out From the Crowd: Making a Video That Feels Like You

Standing Out From the Crowd: Making a Video That Feels Like You

Put a hand over the logo on your latest video. Does it still feel like your company? A recognisable film comes from the way you tell the story, the people you show and the choices you make throughout the edit.

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Two silhouetted crew members beside a camera against an orange and purple studio background.

Pre Production

Behind the Scenes: Who Does What on a Video Shoot

Behind the Scenes: Who Does What on a Video Shoot

The crew list can look surprisingly long for a short film. Each person is there to look after a different part of the job. Here’s who does what, and why a small production doesn’t always need a cast of thousands.

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A videographer holding a camera at a crowded indoor event with purple lighting.

Pre Production

We Have a Guy for That: Why Agencies Bring in a Videographer

We Have a Guy for That: Why Agencies Bring in a Videographer

Some projects need specialists your agency doesn’t need all year. An outside videographer can bring those skills, a fresh eye on the brief and the right crew for the shoot. Here’s how to make that working relationship run properly.

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